流转在艺术空间的听觉：中国古典“听泉”审美意象及其景观建构

中国古代文人对泉的审美体验经历了从形、色到声响的衍变，“听泉”日益成为一种日常生活中的休闲体验方式。听与心灵相联系，“听泉”在古文人的情感投射与不断吟咏中转变为富含闲逸之情的审美意象，并形成“夜间闻泉”与“隔物听泉”两种审美范式。“听泉”由诗歌蔓延至绘画与园林，在诗歌、绘画与园林艺术空间不断流转往复，完成诗意景观的审美建构，成为文人追求闲情逸趣与诗意生活的美学符号。“听泉”意象的形成及其休闲审美内涵，展现了古代文人的听觉审美情趣，同时也丰富了中国传统听觉审美文化。

The Auditory Sense in the Art Space:the Aesthetic Image of Chinese Classical "Listening to Spring" and Its Landscape Construction

The ancient Chinese literati's aesthetic experience of spring evolves from shape,color to sound,and "listening to spring" has increasingly become a way of leisure experience in daily life.Listening is related to the soul.In the emotional projection and constant chanting of the ancient literati,"listening to spring" has been transformed into an aesthetic image rich in leisure,and two aesthetic paradigms have been formed:"listening to spring at night" and "listening to spring across objects"."Listening to spring" spreads from poetry to painting and gardens and constantly flows back and forth in art space,completing the aesthetic construction of poetic landscape and becoming the aesthetic symbol of literati's pursuit of leisure and poetic life.The formation of the image of "listening to spring" and its leisure aesthetic connotation not only show the literati's auditory aesthetic taste,but also enrich the Chinese traditional auditory aesthetic culture.