诗化戏剧与小说化戏剧——曹禺与老舍戏剧比较研究之二

“以诗写剧”是最能体现曹禺话剧创作个性的特点之一，也是他区别同时代话剧作家的显著特色，就创作主体而言，曹禺多次宣称他以“诗”写“剧”。与曹禺诗化戏剧形成鲜明对比的是，老舍在他的话剧创作中也融合了别种文学体裁的特长，但不是诗而是小说。老舍创造性地把小说与戏剧这两种最为显要的现代文学文体结合起来，创立了极具个性特色的“小说化戏剧”，使成熟于20世纪上半叶的中国话剧在特殊的政治时代，没有完全跌入低谷，在文艺家们普遍迷失自我的红色岁月依旧为中国甚至世界戏剧观众奉献出独具个性风采的“小说化戏剧”精品。

Poetic Drama and Fictional Drama Compare Cao Yu's drama and Lao She's

＂writes the drama by the poem＂ is most can manifest the Cao Yu modem drama to create one of individuality characteristics, is also he distinguishes the same time modern drama writer＇s remarkable characteristic, speaking of the creation main body, Cao Yu declared many times he writes ＂ the drama＂ by ＂ the poem＂. Forms the sharp contrast what with the Cao Yu poetic drama is, Lao She in his modem drama created also fuses do not have planted the literature literature style the special skill, but was not the poem but was the novel. Lao She creatively unifies the novel and the drama these two kind of most influential modem literature literary style, established has had the individuality characteristic extremely ＂the fictional drama＂ , caused maturely in first half of 20th century＇s Chinese modem drama in special political, the revolutionary revelry time （ the second half of the 20th century）, has not fallen into the trough completely, lost the self- red years in the literary arts to offer the alone individuality elegant demeanor as before generally for the Chinese even world drama audience ＂the fictional drama＂ the high - quality goods.