宋代俳谐赋论析

宋代俳谐赋之谐趣,从建构方式而言,或因表里不谐、文体形式与赋作内容之张力而产生,或因言意相离、言语表面意思与作者深层意旨之张力而酿成,或因物类幻形、物类原态与所幻形象之张力而获得;从旨归寓意而论,既有自我解嘲、讽世刺时、抒怀明理等寓庄于谐之属,也有肆笔为文、以文为戏之作。宋代俳谐赋在艺术上承继前贤往往又能翻新出奇,并将俳谐文学中审物丑以刺人世这一范式发展成熟并推向高峰,自有其独特价值;但也有部分作品因尚理之时代语境的强大影响,径直以议论将龙睛点出,背离了俳谐文重谐亦重隐之原则,减弱了作品的趣味性和艺术性。

An Analysis of the Humorous Antithetical Fu in the Song Dynasty

The humorous nature of the humorous antithetical fu in the Song Dynasty was of many aspects.In terms of structure,the nature was caused by the disharmony between the inside and the outside,i.e.,the conflict between the writing styles and contents of the humorous antithetical fu;by the deviation between words and meanings,i.e.,the conflict between the superficial meaning of the language and the profound intention of the author;or by the formal change of things,i.e.,the conflict between the original form of t...