| 论司空图《二十四诗品》对中国美学和诗学的重要建树 |
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| 引用本文： | 王凯.论司空图《二十四诗品》对中国美学和诗学的重要建树[J].武汉大学学报(人文科学版),2009(5):574-581. |
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| 作者姓名： | 王凯 |
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| 作者单位： | 青岛大学文学院,山东青岛266071 |
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| 摘 要： | 《二十四诗品》是盛唐诗歌各种美学风格的概括和总结，体现了司空图对诗歌艺术多样化的审美追求，是盛唐诗人的审美理想在诗学理论上的集中反映，它所描绘的二十四种诗歌风貌，从不同角度揭示了诗歌的意境创造，对唐以后的美学和诗学产生了极为深远的影响。《二十四诗品》的诞生，标志着中国古典美学和诗学在理论上已经步入成熟。
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| 关 键 词： | 司空图 《二十四诗品》 美学 诗学 |
On the Contribution of The Twenty-four Poetry Style of Sikong Tu to Chinese Aesthetics and Poetics |
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| Wang Kai.On the Contribution of The Twenty-four Poetry Style of Sikong Tu to Chinese Aesthetics and Poetics[J].Wuhan University Journal (Humanity Sciences),2009(5):574-581. |
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| Authors: | Wang Kai |
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| Institution: | Wang Kai (School of Art, Qingdao University, Qingdao 266071, Shandong, China) |
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| Abstract: | The Twenty-four Poetry Style is a general summary of all kinds of aesthetic style of the Tang Dynasty poetry, and it reflects Sikong Tu＇s aesthetic pursuit to the diversity of the poetry art and the aesthetic ideal of the Tang Dynasty poet in poetical theory. The 24 kinds of poetical style portrayed in the book reveal the mood creation of poetry from different angles, and have an extremely far-reaching implication on the aesthetics and poetics after Tang Dynasty. The birth of The Twentyfour Poetry Style marked that the Chinese classical aesthetics and poetics had entered maturity in theory. |
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| Keywords: | Sikong Tu The Twenty-four Poetry Style aesthetics poetics |
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