《简·爱》中的“女性声音”品评

夏洛蒂·勃朗特在<简·爱>中运用第一人称叙述视角成功地构建了一个"唯我独尊"的叙事主体形象--简·爱.其叙事颠覆了男权叙事传统,建构了女性叙述声音和叙事权威.同时,小说成功地在读者与叙事者之间建立有效的联系,使读者能够了解主人公的内心世界,从而加强了叙述声音的女性权威.然而,夏洛蒂·勃朗特作为殖民地中产阶级白人妇女的文化身份使她在女性权威的建构过程中带有不可避免的局限性.     

浅议《傲慢与偏见》简·奥斯汀的婚姻观

简·奥斯汀的《傲慢与偏见》以男女青年的恋爱婚姻为题材,通过四对年轻人四种不同的爱情和婚姻,传达了恋爱婚姻是关系到终身幸福的大事情,必须严肃谨慎的思想,同时提出了道德和行为的规范问题,并通过讽刺的艺术和语言的机智幽默,表现了她对生活的深刻思索：婚姻不应该被金钱、地位、情欲所驱使,只有建立在爱情基础上的婚姻才是真正幸福的婚姻!     

女性成长的书写--张洁《无字》与夏洛蒂·勃朗特《简·爱》的文化解读

张洁的《无字》和夏洛蒂·勃朗特的《简·爱》都是旨在全面展示女性主体成长的成长小说。两部作品记录女性生命成长的历史时，都浓墨重彩地书写了主人公的“出走”与皈依，展现了女性为追求自身价值和幸福与逆境顽强抗争，从而独立自强的心路历程。两部小说将主人公的成长均集结到“皈依”。简·爱的皈依是“复归乐园”，吴为的皈依却是“走向死亡”，“殊途”同“皈”体现了中西文化价值观的差异。描述女性成长的生命史和心灵史，两部作品都采用了自传性叙事的表现方式，由此增强了作品的艺术感染力。     

A research design for generalizing from multiple case studies

Many evaluations would be more useful to decision makers if their results were both explanatory and generalizable. In view of the limitations of traditional methods in meeting both these goals at the same time, the authors describe a research design explicitly intended for generalizing about the range of applicability of “explanatory patterns” (within a designated “target” population of cases). The paper presents an overview of the main features of a “multiple case study design,” shorthand for a multiple site, structured case study design. It then discusses the nature of explanatory patterns, how case study investigators pursue and recognize valid patterns, and how an analyst can apply the same logic to cross-site analysis in order to make valid inferences about the limiting conditions under which particular explanatory patterns apply to particular populations.     

异域别壤中的两朵孤独之花--林黛玉与简·爱的比较

林黛玉与简·爱在身世、对爱情的执著、对社会环境的叛逆诸方面颇有相似之处;但她们在对待平等的态度上、人物形象的内涵深度上有很大的区别.前人的研究零散地涉及到-些,本文力图对此作一个较系统深入的探讨,并着重比较二者的差异以及产生这些差异的原因.     

简·奥斯丁的小说《爱玛》中反讽的艺术特色

根据曼·赫·艾布拉姆斯对反讽的定义和德·柯·缪克的反讽学的理论,结合叙事学的阅读方法,重新观照简·奥斯丁的小说《爱玛》,解读出小说的美学意义主要在于其反讽结构:即通过塑造一个幼稚而自负的女主人公并使她成为一系列反讽的对象(因其自以为是的臆测一次次在现实中遭受挫败),而向读者展现了一个从幼稚走向成熟并最终获得幸福的女性的故事。同时指出,结构反讽的运用也使读者成为反讽主体而能够积极参与小说的反讽——亦即它的艺术性的建构。     

CRIME,ART AND PUBLIC CULTURE

Jane Alexander's ‘Security’ was installed at the 2009 Joburg Art Fair as a Special Project. This essay investigates notions of being guarded and fenced-in, which are implicit in this piece, in an attempt to breathe new life into a space that has all too easily been blanketed as a new form of ‘apartheid’ in contemporary South Africa. Rather, I suggest, what ‘Security’ allowed its publics to experience was a complex process of working through the everyday ingredients of the post-apartheid, and so to realize new connections between strangers. I argue that this work, at this time, probes at the nexus of a private–public sphere that allows for a real-time grappling with issues of a private nature in the public. The essay further positions this work in relation to some others by Alexander in an attempt to more fully grasp what ‘Security’ says about the present moment. Finally, the Joburg Art Fair is investigated as a setting richly suggestive of this moment in South Africa that simultaneously projects, and allows for, ambivalence in its art publics.     

真善天地,浪漫写实——解读英美文学作品中人物的情感世界

本文通过解读简.奥斯汀和路易莎·梅·奥尔科特两位女作家经典代表作品《傲慢与偏见》、《爱玛》和《小妇人》中人物的情感世界,展现两位作家在生活时代背景下赋予作品的社会意义与精神追求,阐述这些伟大作品传承至今的重要作用和对英语教学的指导性意义。     

论小说《爱玛》中的次要人物——简·菲尔费克斯与威斯顿太太的相似性

英国小说家简.奥斯丁在小说《爱玛》中成功地塑造了一系列性格各异的女性人物形象,特别是对次要人物简.菲尔费克斯和威斯顿太太细致入微地描写,更是体现了奥斯丁对语言的驾驭能力。本文试从对次要人物简.菲尔费克斯与威斯顿太太相似性的分析来感受奥斯丁对人物的塑造能力和对人性切实精准的刻画。     

Advocacy and Social Action: Key Elements in the Structural Approach to Direct Practice in Social Work

The structural approach to direct practice in social work assumes that opportunities and resources are unequally distributed and that members of deprived and vulnerable populations are social victims. Thus, the basic thrust of the social worker is to change oppressive situations instead of the people trapped in them. Disenfranchised, powerless, and oppressed people need a fairer share of basic economic and social goods. This makes advocacy a key practice role involving both work with groups of clients and with others who can make things happen for clients. The paper describes and illustrates instances of advocacy as the structurally oriented social worker applies six basic principles to help meet the needs of clients.