一个亟待深入探讨的当代文论话题——关于当代文学的生存境况与发展前景的思考

当代中国文艺变革的实践 ,越来越清晰地证明 ,新媒体文化和大众日常艺术审美形态的崛起 ,极大地冲击着既定的文学、艺术形态和规范 ,改变其存在方式 ,促使其不断地走向大众 ,融入大众日常艺术审美活动 ,拓展了生存、发展空间 ;与此同时 ,变化着的文学、艺术则以独具的审美方式 ,积极地作用了新媒体文化和大众日常艺术审美活动 ,深化其艺术意蕴 ,提升其审美境界从而形成多元共生、悖立与互动的新文艺格局。可见 ,只有立足文艺变革实践 ,洞悉文艺变化发展的特点和规律 ,才能透过文学生存困窘的种种现象 ,窥探其发展的内在潜质与光明前景     

The struggle for Via Bologna street market: crisis,racial denial and speaking back to power in Naples Italy

This paper is based on ethnographic research conducted with migrant and Italian street vendors in Naples, southern Italy, in 2012. It tells the story of Via Bologna market which was nearly closed down by the City Hall at the time. Naples is a city where issues of poverty and unemployment pre‐date and have been exacerbated by manifold narratives of crisis now unfolding across Europe regarding the economy, political legitimacy, security and migration. Street markets have always been an important and visible economic survival strategy for both Neapolitans and migrants there. This article shows how the Via Bologna street vendors appropriated and adapted discourses about crisis to form their own cosmopolitan social movement that halted the closure of the market. It argues that, in the age of globalized migration, the multilingual nature of such collective action is central to understanding social struggles that must be organized between marginalized groups of people divided by race, religion, politics and legal status. This, frequently ambiguous, transcultural solidarity speaks back against a mainstream post‐racial discourse – often articulated by the Neapolitan street vendors at the market – that would reduce the complexity of such collective action to questions of poverty and class struggle.     

霓裳羽衣舞敦煌——试论敦煌莫高窟服饰流变及其文化意义

文章通过敦煌莫高窟服饰流变的分析,认为莫高窟服饰文化是一部中华民族服饰发展史,是中华民族多元文化融合,并最后汇聚于中华的历史见证。     

全球化与文化多元趋同趋势

全球化是世界每个民族、每个国家都无法回避的客观趋势,它给文化界带来的一个重大影响就是引起 了多元文化的冲突与整合,整合的结果应是多元文化趋同趋势,走向多元一体的过程。     

A ‘desi’ diaspora? The production of ‘desiness’ and London's Asian urban music scene

Increasingly, the term ‘desi’ amongst British Asians has been commonly used to describe South Asian diasporic cultural forms and practices, particularly regarding musical genres and styles. This article opens up debate on its contested meanings and usage within the London Asian urban music scene. In unpacking the complex and contradictory meanings and uses of ‘desi’ across time, space and place, ‘desiness’ becomes exemplary of the ambivalent spaces of youthful diasporic identities in process. I argue that cultural practices, such as music production and consumption, provide critical tools to critique one-dimensional notions of ‘Britishness’ and ‘Asianness’, as well as to reassert normative notions of belonging and diaspora. The exploration of diasporic identities in the making within the spaces of London Asian cultural production highlights the importance of everyday forms and practices and fosters a better understanding of multiculture and new modes of belonging in London.     

和而不同: 多元文化共处的终极原则

21 世纪, 人类需要一个和生共存, 多元互补, 各美其美, 美人之美,各得其所的文化发展局面。文化的交往和汇流难免发生碰撞和冲突。怎样才能做到存差异, 求发展? 中国传统文化中的和而不同的观念可以为此提供非常有价值的资源。和而不同
的观念用在文化上就是要承认各种文化中的不同, 因为不同是文化发展的根本前提。但是, 不同并非互不相关, 孤立存在, 各不同之间, 须得用和加以协调, 方能在不同文化之间建立起一种和谐有益的关系,使各个不同的文化都能得到新的发展。     

文化认同与和谐青海

文化普遍地渗透在社会体制、调节机制和人们的行为方式之中,常常表现为某种"隐形"的因素,却发挥着不可忽视的作用.青海处于青藏高原文化圈中,这里多种文化同住共存,互相采借,求同存异,生动体现了多民族文化"和而不同"的相处原则.在新形势下以多元文化观作为青藏高原文化认同的价值取向,营造多样化统一、生动活泼的文化和谐,是构建和谐青海的内在要求.     

后殖民理论与多元文化

在现代全球化语境下,西方发达国家倚仗科技优势给他们带来的话语霸权,摧残发展中国家的历史与文化.多元文化语境中的后殖民理论,作为当代多种文化政治理论的集合性话语,有可能使我们从"东方主义"的束缚中解放出来,真正进入多元文化共存的后现代世界格局中.     

试析文化相对主义对文学批评的意义

首先梳理了文化相对主义的基本理论，分析了文化相对主义与多元文化的关系，提出对不同文化要以平等的眼光来看待，恰当地运用文化相对主义的立场和观点理解问题、解决问题。然后以中美两国学者对沈从文作品评价为例，阐明文化相对主义对文学批评的意义，阐述了允许多种批评标准存在的文学批评观点，并从乡土文学和文学史的角度指出它对中国文学发展的重要性。     

美国高校的多元文化教育

概述美国高校多元文化教育兴起的背景、教学主张、教学形式及内容等 ,认为这种教育尊重少数民族学生的传统文化价值取向 ,注重培养学生的批判性思维 ,在消除种族歧视、促进美国各民族之间的沟通方面作了有益的尝试