心灵的失落与追寻——简论汉末男性诗人的女性同构心理

汉末男性诗人以女性为情感载体来抒写自我生命痛苦的写作用意,应与他们的处境和心态密切相关。在混乱的政局中经历了期盼、失望、绝望的心路历程之后,他们的心态发生了很大变化,具有与女性心理同构的新特点。这恰恰彰显了汉末男性诗人摆脱心灵困境时的自我突围意识。     

Women Elite Leaders Doing Respectable Business Femininity: How Privilege is Conferred,Contested and Defended through the Body

This paper offers a theory of respectable business femininity. Respectable business femininity is theorized as a discursive and relational process that explains tensions women elite leaders experience at the nexus of being both One and Other and sometimes privileged, embedded notions of leadership as masculine and wider expectations of acceptable embodied femininity. Such tensions manifest through a disciplining of women leaders’ bodies and appearance by self‐and‐others, as a means of appraising women as credible elite leaders and respectable women. Through a qualitative study we show how, within sites of ambiguity, embodied leadership and subjectivities are both enabled and constrained. Accounts highlight how privilege is fluid and (de)stabilized in that it is conferred, contested and defended through women's bodies and appearance. We advance understandings of contemporary respectable femininity, privilege at work, and body work, and consider practical implications for women leaders and management education.     

新时期女性作家对女性身体美学的重构策略及意义

在男权社会中，女性身体美学也是由男性的历史之手制造并且是符合其男权中心主义需要的，这种男性的美学表现出对病弱女体的偏爱。新时期女性作家重构了女性身体的美学范式。这一美学重构是通过女性身体的健美与男性身体的丑弱对比．以新的眼光设置女性身体描写的空间来实现的。当代女性作家通过对女性身体形象的重塑，传达出女性建构新的自我的努力。     

“Last Night,I Did a Striptease for My Husband”

Representations in popular media at the end of the twentieth century and the beginning of the twenty-first suggest that North American culture idealizes a kind of femininity constituted in erotic display while at the same time disavowing the parallel performance of that femininity in strip culture. This paper begins to consider why femininity is so insistently constituted on these terms, focusing in particular on women's advice media, self-help, and exercise programs of erotic dance as a domestic activity, and working to identify and understand the implications of that representation, for women who work as erotic dancers and for women who do not, with reference to the ways in which these two categories of femininity are constituted and maintained as separate categories through representation and to the effects of this separation for the labour of erotic dance and for the performance of femininity in the everyday. This paper undertakes to understand this complicated relationship and to determine what precisely is at stake in such representations, how to read them, and what they mean.     

The green leaves of love: Japanese romantic heroines,authentic femininity,and dialect1

How is ‘authentic’ linguistic femininity in Japan manifested in popular texts? We analyze the dialogue of female characters in Wakaba, a 2005 Japanese drama set in two very different parts of ‘regional’ Japan – Miyazaki and Kobe. Through this analysis, we examine two contradictory discourses circulated through popular media. The first is that linguistic femininity is based in Standard Japanese – a surprisingly persistent ideology despite a current trend to examine cases in which language ideology and practice do not match. Other studies reflect another dominant discourse, that of the ‘authentic’ dialect speaker, who expresses local alignment by using dialect forms outside the bounds of ideologically modern linguistic forms. The tension between acting linguistically feminine and ‘authentically’ local raises some interesting questions for Japanese language and gender studies, including studies of gendered representations: are women who are speakers of regional dialects authentically ‘feminine’? Can they be? Do some dialects express femininity better than others?     

性别差异研究的四种取向

心理学家经常会以性别及性别刻板来理解人类的行为。在过去的几十年里,有关性与性别的研究在不断增多,并发展出了四种主要的研究取向:(1)将性别作为被试变量;(2)考察男性化、女性化和双性化的个体差异;(3)性别图式理论;(4)将性别看做一个社会范畴来进行研究。以这四种研究取向为线索来组织内容,可获得对性、性别以及人格领域有关问题的一个比较全面的探究。     

论丁玲延安时期小说创作中的潜女性话语

本文从女性主义文学批评的理论视角出发，对丁玲延安时期小说创作的女性性别话语的构成形态及其深层寓意进行了分析。文章认为，丁玲这一时期作品的价值，主要表现在作者将性别分析置于社会政治思考的框架之中，进而对女性的生存境况作了一次深人的体察。     

‘Heroes and Matriarchs’: Working‐Class Femininities,Violence and Door Supervision Work

Door supervision work is traditionally seen as a working‐class, male‐dominated trade. In addition, it is deemed to be one that is physically risky, where violence is seen as a ‘tool of the trade’ and where ‘bodily capital’ and ‘fighting ability’ are paramount to the competent performance of the job. This paper is a timely analysis on the manner in which the increasing numbers of women who work in door supervision negotiate their occupational identity and construct their work practices. The analysis focused on the way in which discursive constructions of both violence and workplace identities are variably taken up, reworked and resisted through the intersection of gender and class. This resulted in the identification of two main discourses; ‘playing the hero’ and the ‘hard matriarch’. These findings allow us to theorize that multiple, gendered and classed occupational identities exist beyond normative expectations and can be seen to be both emancipatory for working women, while simultaneously bolstering exploitation, workplace harassment and violent practices.     

张爱玲《传奇》与奇幻小说的现代性

通过对《红玫瑰与白玫瑰》与《封锁》的解读,可以见出张爱玲小说的奇幻表现。张氏小说从“妇人性”的独特视角建构“她者”叙述空间,质询“真”的价值标准,不仅揭示了现代人异化和疏离的生存状态,更表现了“时代的梦魇”,蕴涵着她对理性及文明的质疑。无论在修辞、主题还是在叙述结构层面,《传奇》与“唐传奇”都有着亲密的“互文性”,如将“唐传奇”因果报应、枕中乾坤等“俗套”织入《传奇》的奇幻叙事,使《传奇》文本更具深厚的文化“底子”,由是造成张氏小说雅俗共赏的奇观。     

“女才”与“女色”的极端——论《镜花缘》中“黑齿国”反映出的才貌问题

李汝珍《镜花缘》中"黑齿国"反映出的才貌观,恰是作者在"女才"与"女色"两个极端中寻出了三昧。从艺术生产论的角度来讲,女才走向"炫才逞强"、"实学不足",乃是现实中苦乏更有效、更宏大施展渠道的表现。