象征主义视野下的梦窗词

梦窗词大异于传统审美旨趣,古今毁誉甚殊。词作的晦涩难解,是造成对其评价褒贬不一的根由所在。梦窗词幽隐朦胧的艺术特征类似于象征主义的美学风貌,其创作的形式技巧与象征主义诗学也具有诸多暗合之处,这种相通处主要表现在以下两方面:一是意象化的整体隐喻,二是直觉性的生命意识。     

美国经验的诗意写真--评托马斯·沃尔夫抒情性小说创作风格

托马斯·沃尔夫(Thomas Wolfe)是三十年代活跃在美国文坛的著名小说家,其成就斐然却瑕瑜互见.他以情感旋律作为小说的内在结构,继承了以惠特曼、爱默生和马克·吐温为代表的一代美国文化名流所创立的以边疆生活为核心的,切近生活,即兴博发、朴实奔放的文学传统,文风豪放,抒情色彩浓郁.长期以来评论界对他的小说创作形式褒贬参半.但他个性化的抒情性表现风格以及他融入小说语言中感官色彩浓郁的直观表现方式使他的作品独具特色,风格迥异.他的小说因此染上了浓重的史诗性色彩,赢得了广大读者的青睐.     

Measurement biases in user involvement research

Considerable research has been conducted to demonstrate user involvement's effect on information system success. User involvement and system success typically have been measured by asking users for their perceptions of these variables. This paper reports on a field study conducted to investigate the possibility that this approach to measuring study variables tends to overstate the benefits of user involvement. The link of user involvement to user satisfaction is found to be significantly weaker when user involvement is assessed by systems analysts than when it is self reported. Further, this difference is found to be greater for systems with few users than for systems with many users. The findings suggest that common method variance and self-serving bias may have overstated the apparent benefits of user involvement in past research on information systems. Suggestions for future research are presented.     

论柏拉图的idea之为“理念”而非“相”

柏拉图的idea并非感性直观的对象,而是概念思维的对象,从而它绝非感性直观意义上的事物的单纯的"形相",一种感性存在,而是一种理性存在。它作为事物之自身,乃是事物的本质,作为思维存在,乃是与事物之本质相应的思维之概念,而它同时又是事物的理想存在,构成了事物的目的,这样,它在根本上是本体论、逻辑学和目的论三者的统一。能够准确地表达出这三层内涵又同时避免了对idea的基于一种单纯的感性直观的理解的译名只有"理念",而"相"的译名则不具有这样的优势。     

解读影视艺术的审美特征

影视艺术在美育中有重要地位。影视艺术的审美特征 ,其一是影视艺术审美的直觉性 ,影视艺术的鉴赏首先是一种直觉的审美 ,影视以丰富的表现手段创造直觉美 ,以画面与声音的交融强化直觉美。其二是影视艺术审美层次的复杂性 ,多种流派、多种文化以及良莠不齐的影视作品共存是主要原因。     

老子“玄览”思想探究

老子的“玄览”思想是一种超越理性逻辑的非理性思想,是人类最高的认识方法。老子“为道”需要“玄览”,“玄览”是“为道”的哲学方法。“玄览”是一种心境,需要用“直觉”悟性去开启,通过理性“静观”来把握,从而达到超然物外与超然自我的“玄同”境界。     

Humanising Managerialism: Reclaiming Emotional Reasoning,Intuition, the Relationship,and Knowledge and Skills in Social Work

This paper develops Professor Eileen Munro's coverage of ‘emotional dimensions’ in her Review of Child Protection in England. It argues that managerialism has failed to recognise the importance of the emotional life of human beings and the importance of the relationships we build in social work and that this failure seriously hinders the quality and effectiveness of social work. The paper begins with an account of what an ‘emotional dimension’ might encompass and, drawing on conceptualisations mainly from neuroscience, looks at what is meant by the words emotions and feelings, affect, attunement and empathy. A second section looks at the skewed representation of logical thinking as innately superior to emotional and intuitive reasoning and the part played by conscious and unconscious elements within judicial decision-making. It then analyses the dangers evident in the more extreme and rigid forms of managerialism that can be found in some areas of social work and a final section argues that for managerialism to be humanised it calls for an emotionally responsive relationship-based practice to be located at the heart of social work.     

《广雅疏证》中的同义观

以《广雅疏证》为代表的古代同义观与现代同义观迥然不同:后者要求同义词语之间的词义大致相同,而前者只要求同义词语之间具有相同义素。古代同义观重词语之间的语源关系而轻词语之间的类属关系,重直观感觉而轻理性分析。     

《圣经·旧约》中的审美观

本文辨析了《圣经·旧约》中“美”概念的多种含义及美的特质 ;论证了神是希伯来民族所认为的终极之美 ;揭示了“旧约”的审美思想中同时包容了感性之美和理性之美 ;指出了后期希伯来美学逐渐向伦理化方向发展的趋势     

知识创新规律的理论框架

知识创新是一项系统工程.知识创新系统工程图为知识创新规律提供了一个理论框架.围绕着这个理论框架的讨论,可得出很多新的有益结论.